Last night, I watched a new DVD version of “The Quiet Man,” the classic 1952 John Ford movie with John Wayne and Maureen O’Hara, and discovered something new.
In the audio feature that lets you hear Maureen O’Hara comment as you watch, O’Hara reveals that the movie’s wedding toast was censored, in part.
Right after Sean Thornton (Wayne) and Mary Kate Danaher (O’Hara) are married, the local lawyer Hugh Forbes (played by O’Hara’s brother Charles FitzSimons) holds up a glass:
“Then, a toast:
“May their days be long and full of happiness.
“May their children be many and full of health.
“And may they live in peace and [empty pause] freedom.”
Catch in the throat. This toast always has fascinated me. I’m interested in freedom, of course, and I doubt there’s another motion picture that mentions freedom at a wedding reception.
But I had noticed previously the odd pause, the odd catch in his voice, as Forbes says “may they live in peace and … freedom.” There’s a weak sound to it, in contrast to the sound in the rest of the dialogue.
Well, O’Hara explained it.
Studio decision. According to the actress, the original line was “may they live in peace and national freedom.” And after the movie was done, the executives at Republic Pictures decided “national freedom” in Ireland was too controversial a concept.
The studio deleted it, O’Hara said.
“It didn’t make sense to me,” she said, “but there’s always somebody who has strong feelings about certain things.”
The Troubles. “The Quiet Man” takes place in Ireland, the predominantly Catholic country (but not including predominantly Protestant Northern Ireland), in the 1920s or 1930s, when Ireland had semi-independent “dominion” status under Great Britain.
Ireland declared full independence in 1948, but the IRA and others still claimed Northern Ireland as part of the nation of Ireland. Northern Ireland, however, remained part of Great Britain.
The unresolved political dispute is why a wish that a couple live in “peace and national freedom” became a wish that they live simply in “peace and … freedom.”
Beauty remains. At least they preserved the most important word, and it’s a beautiful movie all the same.
Frank Warner
SEE ALSO: ‘The Quiet Man’ soundtrack: Victor Young’s music for a happy St. Patrick’s Day.
Truly a great movie! One that a family can sit down and watch.
I'm not surprised about the Hollywood knuckle heads cutting National freedom but I was surprised they allowed the IRA to be mentioned.
Oh, it's a lovely country! I spent two weeks on a horse drawn carvan, fly rod (free fishing), and a pint of Guiness.
There are pubs that still play local tunes with violin, squeeze box, and vocals that bring tears to your eyes.
Posted by: TBIRD | January 21, 2007 at 01:17 AM
I'll have to go back. It's been a while.
Posted by: Frank Warner | January 21, 2007 at 02:02 AM
John Ford had relatives in Galway who were active in the IRA during the Irish War of Independence. He was a fan and friend of Ernie O'Malley an IRA officer and author of one of the most moving accounts of the war, "On Another Man's Wound". He lists O'Malley in the credits as "IRA consultant" I think. He wanted him on the set throughout filming and O'Malley's son Cormac appears in the movie as one of the children when Maureen O'Hara is asked about her bonnet for the race.
The setting of the film is also post the Irish Civil War which was bitterly fought in Kerry where the original short story was set (which is why the younger men are still *in* the IRA whereas Danaher with his "fine big house" would be a Freestater).
There are a number of sort of hidden themes in the film and Ford's Irish nationalism is definitely one of them!
Posted by: John W. Hurley | June 05, 2013 at 10:03 AM