The new HBO series, “Generation Kill,” reportedly is super-accurate on how today’s weapons of war work in Iraq. But as the title implies, the series is founded on the super-inaccurate idea that all U.S. Marines are misfits and psychopaths.
If the early reviews are correct, not one of the Marines in this dramatization of the early days of the 2003 invasion of Iraq knows why the United States is there.
(“Generation Kill” aired the first of its seven installments last night.)
Not one of these HBO Marines is aware that President Bush has been talking about removing a totalitarian regime, ending Saddam’s support for terrorists, penalizing Saddam’s diversion of Oil for Food money, or even punishing Saddam for reneging on his requirement that he cooperate fully with U.N. weapons inspectors, who repeatedly demanded proof WMD stockpiles were gone. Not one of the Marines knows that President Clinton gave the same reasons for signing the Iraq Liberation Act of 1998.
No freedom talk. Nope, none of these “Generation Kill” Marines can imagine outloud that it’s time to finish the war that Saddam started in 1991, or that it’s time to replace Baathist tyranny with democracy, freedom and a lasting peace. The discussion never comes up among movie jugheads. According to this TV fiction, all Marines are too stupid to see a good reason for Operation Iraqi Freedom, or they’re certain the invasion is for conquest and nothing else.
“White man’s gotta rule the world,” a non-white Marine says in the film.
Another Marine says his comrades are going in to “loot and pillage a country.”
OK, OK, I get what Susanna White, Simon Cellan Jones, Evan Wright, David Simon and Ed Burns are hammering us with. It’s right there in the title. There was a “Greatest Generation.” They were the army of saints who won World War II over Hitler, Tojo and Mussolini, and replaced tyranny with liberty. Today, this new story goes, we have raised a “Generation Kill,” the army of perverted criminals who make war, not to end fascism, but to kill for killing’s sake.
No hearts or minds. The Marines in this story represent, as Wright put it in his book, “more or less America's first generation of disposable children,” rendered subhuman by hip hop, Internet porn, video games, reality TV and Jerry Springer.
Of course, joining the Marines only completes the mind-numbing and heart-hardening.
A corporal in the show says, “You know what happens when you get out of the Marine Corps? You get your brains back.”
Yeah, right.
Your neighbors. This is worse than nonsense. Shame on you writers and directors of “Generation Kill.” And here’s a casting tip for your next series: Forget the monster military stereotypes. The U.S. Marines, Soldiers, Sailors and Airmen liberating Iraq aren’t a bunch of thick-headed brutes. They are your neighbors. They may not be perfect, but they’re pretty good people. They took unselfish risks in 2003 and they’re still taking unselfish risks today to give 25 million Iraqis a chance to enjoy the same freedoms you take for granted.
White, Jones, Wright, Simon and Burns may believe Iraq was better off under fascism. They may believe Iraqis enjoyed having their tongues cut out for criticizing Saddam. They may believe Iraqis were happy to starve while Saddam built palaces and bought appeasers. They may believe Iraqis longed for the night they’d be hauled off to arbitrary executions at mass graves.
The filmmakers may believe the freedom of strangers isn’t worth fighting for. But the history of the last 200 years shows that, whenever we Americans ignored the oppression of strangers, it always came back to bite us, and when we freed nations, those nations kept the peace.
Story balance. How many episodes of “Generation Kill” will I have to watch to hear anything about the relationship between democracy and a lasting peace? If the first reports are any hint, I shouldn’t waste a minute watching or listening for that point of view.
In “Generation Kill,” it seems we only get the viewpoint of fascists.
Frank Warner
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Afterthought: I'd like the writers and directors of this HBO series to cite one scene that they think isn't written from the fascist perspective. Other than not including a scene that declares Saddam a god, what makes “Generation Kill” different from fascist propaganda?
Note: As for “The Greatest Generation” versus “Generation Kill,” there really is no match. In five years of fighting in Iraq, the Americans have killed about 30,000 in combat. In two months of 1945, on Okinawa, the Greatest Generation killed 90,000 Japanese.
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